![]() They’re just zombies, and they exist solely to be dispatched with speed and creative weaponry. The Zombieland franchise isn’t about the Cold War or the Other or how the real zombies are the humans. I love a good social horror film, but it’s oddly relaxing, in 2019, to watch a zombie film in which the zombies aren’t metaphors for anything at all. The importance of finding a forever home is the only message or moral that Zombieland: Double Tap seeks to impart. Little Rock, Wichita, Tallahassee, and Columbus in Zombieland: Double Tap. Everyone’s just looking for a forever home. That sets off a series of adventures that almost gets the whole group killed and brings them into contact with other surviving humans, likely for the first time in ages. Little Rock, now nearly out of her teens, has a truly daughterly relationship (complete with eye-rolling) with gruff Tallahassee, and Columbus and Wichita co-exist in domestic bliss, sleeping in the Lincoln Bedroom.īut after Columbus proposes, Wichita gets spooked, and takes off with Little Rock in search of a new place to live. In the years that have elapsed, they’ve made their way to the White House, cleared out the zombies, put up barricades, and have been living in peace and tranquility among the relics of what once was the presidential home. The story still revolves around Tallahassee (Harrelson), Wichita (Stone), Columbus (Eisenberg), and Little Rock (Breslin), the unlikely group of strangers who became a de facto family in the first film, post-zombie apocalypse. It also reunites all four members of the original cast and adds some new talent (Rosario Dawson, Thomas Middleditch, Luke Wilson, and a superlative Zoey Deutch) for a tale about nothing in particular that’s still pretty entertaining. Set a few years after the first film, Zombieland: Double Tap brings back director Ruben Fleischer to helm a script by the Deadpool screenwriters. ![]() Zombieland: Double Tap is vapid, but pretty fun And the aspects that might raise your eyebrow, in a way, only contribute to the blast-from-the-past feel of it all. It’s more of a celebration of its own existence than anything terribly fresh, but the jokes are solid and I laughed a lot, which I can’t say for most studio comedies of late. As with most comedies, your mileage may vary wildly. ( World War Z knocked it off its perch in 2013.) And though The Walking Dead premiered in 2010 and quickly became the gold standard for juggernaut zombie entertainment, if you prefer your zombie fare to be more comical than melodramatically gruesome (as I do), Zombieland is still a lot of fun in 2019.Īnd now watching its new sequel, Zombieland: Double Tap, is a little like escaping back into 2009, in more ways than one. Vox-mark vox-mark vox-mark vox-mark vox-markįor four years after its release, Zombieland was the highest-grossing zombie-related movie in the US. “Double tap” - the movie’s rule for making sure the zombie you just killed was definitely dead - was a catchphrase around my house for a while. The movie received mixed reviews, but became the fifth-highest-grossing comedy of the year - no small feat for an R-rated film - and Amazon even shot a pilot of a Zombieland TV show in 2013, though it wasn’t picked up to series. It featured an uncommonly good cast: Woody Harrelson, who’d won an Emmy for Cheers in 1987 Abigail Breslin, who’d been nominated for an Oscar for Little Miss Sunshine in 2007 and Jesse Eisenberg and Emma Stone, who’ve racked up multiple Oscar nominations between them in the years since (Eisenberg for The Social Network in 2011 Stone for Birdman in 2015, La La Land in 2017, and The Favourite in 2019). Still, Zombieland made waves for its clever and very gory spin on the zombie apocalypse genre that didn’t take itself too seriously. Compared to The Hangover’s $277 million, the $75 million haul of another 2009 film, Zombieland, seems like a drop in the bucket. When Jersey Shore premiered.Īt the box office, Avatar was the top-grossing movie of 2009, but the biggest comedy was The Hangover, directed by Todd Phillips (who a decade later would be winning prestigious awards and starting controversies with Joker). 2009 was when Kanye West interrupted Taylor Swift at the VMAs. The Marvel Cinematic Universe was still in its infancy 2009 was the last year in which no Marvel movies were released, and only two had come out prior ( Iron Man and The Incredible Hulk, a.k.a. The year when swine flu became a global pandemic, and Michael Jackson died. That was the year of Barack Obama’s inauguration. ![]() It’s been a long, long, long time since 2009.
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